On tango and rope
I am in an early stage of rope addiction. As a seasoned and experienced tango addict I can recognize the signs. Obsessive looking for all kinds of information on the topic. Reading and watching videos for hours. Practicing extensively, even if it involves travelling to different cities. And at the same time, feeling like there is never enough and you will never become as good as your role models.
It was during my regular browsing through fetlife resources on rope bondage, when I stumbled upon this commentary by Gorgone to an article from Kinkyphilia 'About being a rope bunny'. Both of them stirred up a lot, and also made me realize how many similarities there are between the Argentine tango and the Japanese rope bondage. I am a beginner in the world of rope bondage but have years of experience as a tango follower. Therefore, I felt like sharing some of my insights that I think apply to both. Most of the things here are written from a 'bottoming' perspective and are my own subjective opinions and observations and I don't claim them to be the ultimate truths.
So let’s start with the obvious.
There is a leader and a follower
First similarity that comes to my mind is quite straightforward. Both in tango and in rope bondage there is a leader who decides what is going to happen, and a follower who either submits and follows the lead or breaks the 'flow'.
Even though it might seem that the role of a follower is very passive, it actually should not be. A passive follower, even following the lead most dutifully, is not able to create a beautiful dance, because he or she is not emotionally involved in it. As my tango teachers have taught me, the leader frames the dance, but the follower fills it up with meaning and emotion.
I think that it is very true in tango and the same holds for rope. The rigger ties you up and puts your body in certain positions, but it is you who allow yourself to feel the emotions that the rigger is invoking in you and it is you who connects in them with your rigger.
They involve a deep intimate connection with another person
Both in tango and in rope bondage you are in a close physical and emotional contact with your partner. That involves being open and vulnerable to the other person. It also involves a willingness to connect coming from both sides. Even with the greatest and the most experienced leader, if you don't like him as a person, you will not dance beautifully. It holds even more for rope as you allow your 'leader' to have way more physical and mental control over you.
This is something that I have not seen much when it comes to bottoming advice, but I find it very important. When you consider tying with someone, do not only look at the level of their skills, but also if you connect with them as a person. I think that many times you can have way better experience with a person who is maybe less skilled, but who you have a better connection with. Maybe he or she will not make you float in the air in the most fancy way, but you will be able to get lost in the connection that is between you two and you might experience intense and deep emotions that you would not experience with a person that you are not willing to be emotionally close to.
They require skill and are physically challenging
Tango and rope are complex creative activities that require time, effort and dedication to master. Therefore, they attract a kind of people who are driven and passionate. To me this is one of the things that makes them so appealing.
On the other hand, it might also create a social environment, where your rope or tango skills are a measure of your social value as a person. This can be difficult and painful sometimes, especially if you are a beginner trying to make your way in a new community. It is good to remember about it as a more experienced person in order to keep the community open and friendly. But also as a beginner remember to remind yourself that your skills are not what defines you as a person.
Another thing related to this topic is that you can sometimes get lost in perfecting your technique and forget about the feelings that are actually at the core of the activity. I haven't experienced it with rope yet, but in tango I had a period when I was so focused on my body, the movements that I make and fixing my mistakes that I would forget about the connection and being 'in the dance'. Sometimes you have to make an effort to get out of your head and stop thinking about what you want to improve in order to just be in the moment and enjoy what is happening.
On the other hand, this ability to get lost in the moment and feel together with your partner increases greatly with your skill, so you have to find a sweet spot. What works for me is to differentiate between the time for practice when you try more difficult things, observe and correct yourself and your body and the time for enjoyment, when you do less challenging things, you get lost in the connection with your partner and stop thinking about the technique. Thanks to that, I am able to enjoy where I am now and appreciate what I love about the activity, instead of constantly focusing on what I want to improve. I guess that in rope, the same as in tango, the journey never ends, so it is important to appreciate where you are now.
They are coming from a certain culture, but are currently practiced and taught all around the world
This, in my opinion, is one of the reasons why the articles mentioned earlier differ so much in their views. Both tango and rope bondage are a part of a cultural heritage of a certain nation but they grew beyond that. This causes clashes between traditionalists and people who grew up in this culture and people 'from the outside' who learned the technique out of their interest, but are not as attached to the tradition. The views that both of the groups have on certain aspects of the activity can differ dramatically. To be honest, I do not take either of the sides, as I think that they both bring value.
I have danced with people from many countries and I must say that with no other leader have I experienced a level of connection as deep as with Argentine dancers. They just feel natural and truly in their element when they dance. Therefore, when it comes to feelings and connection I try to listen to the people who come from the country of origin of the art that I want to master, even if I don't agree with everything they say. They usually have very valuable insights and let me go back to the roots and re-think the ideas that I've built up so far.
That was the reason why the article from Kinkyphilia about rope bottoming was so inspiring to me. Even though they might have strong and dismissive views on some aspects, I look beyond that and let them remind me what is at the core of rope bondage. That I don't want my rope experience to be predictable. That I want to get lost in it. I want to feel at the mercy of my rigger and to overcome my own boundaries. For me this is exactly what makes for a deep rope scene.
On the other hand, I think that people who did not grew up in the culture of origin bring a fresh look and ideas to the table. They are able to re-think and improve many concepts that are too inherent to the art for the people who grew up with it, to even spot their existence. From my tango experience, the new wave of teachers (sometimes also from the country of origin) often had a more analytical look at the technique and sometimes also taught people in a more effective way. Instead of giving you just a few tips and leaving you to figure out on your own how to achieve something through years of practice, they would show you in steps how to do it. They also shared their secrets more easily.
Another thing is that the 'new wave' did not share the traditional gender stereotypes that the art was rooted in, but rather thought beyond that for ways to empower both roles and learn about their value. Therefore, I embrace fully the empowerment of rope bottoms that Gorgone is advocating for and I think that it’s great that there is so much more focus now on safety and skill of the bottoms.
Summing up, there is a surprising amount of similarities between the Argentine tango and the Japanese rope bondage, not only in the techniques themselves but also in the way that the communities around them are formed and in the way that both of these art forms develop. I only named a few of the common things here. I also feel that practicing both of them at the same time enriches my experience and lets me look at each a bit differently. Finally, as a practitioner of an art coming from a certain culture I try to honor it and learn as much as possible from the people who grew up with it as it lets me to connect to the core of that practice. At the same time, I also try to think for myself and see where the value is in the tradition and where it is too rigid and limiting and I should move beyond it.
